Musical hallucinations
The music itself sounds in my head. Familiar? It happens, probably, with everyone, what is there. Cling to some "girl Praskovya", spin-spin and stop. Another thing is when the melody…

Continue reading →

Should you be Einstein?
You're young, you think you're advanced, Nightclubs are the best place to hang out after school or work. After the feeling of well spent time, but that's fresh and clear…

Continue reading →

We see sound (part 2)
3. Implementation of the theory in poetic texts If there are matches of speech sounds to certain colors, even in the subconscious, then they must appear somewhere, the sound color…

Continue reading →

constant seizures

In healthy skin – healthy hearing (part 1)

The theory States that the brain uses a holographic coding system, so it is able to encode sensory signals through all the senses. Therefore, any stimulus, such as sound, for example, can be transmitted through any other sense organ, so that the brain can recognize the incoming signal as sound, using a special type of signal code for sound.

It seems, unwittingly, a significant contribution to the confirmation of this theory made Patrick Flanagan (Patrick Flanagan), when as a teenager invented a device that allows anyone (even completely deaf, even with remote surgically middle ear and, moreover, even with a completely atrophied auditory nerve) to hear through the skin. Patrick called his device – “Neurophone” (Neurophone). Entertaining history of neurophone. Continue reading

Mozart effect (part 2)

To test their assumptions Rauscher put a special experiment on rats, which is obviously not an emotional reaction to the music. A group of 30 rats was placed in a room where Mozart’s Sonata in C major sounded for more than two months for 12 hours in a row.

It turned out that after that the rats ran the maze on average 27 percent faster and with 37 percent fewer errors than the other 80 rats that developed among random noise or in silence. According to Rausher, this experiment confirms the neurological rather than emotional nature of the Mozart effect. Continue reading

Mozart effect (part 2)
To test their assumptions Rauscher put a special experiment on rats, which is obviously not an emotional reaction to the music. A group of 30 rats was placed in a…

...

Auditory therapy of A. Tomatis (part 3)
Motor skill The vestibule, which is part of the inner ear, is responsible for the balance, coordination and position of the body. These signs will help to identify the presence…

...

The brain is "under jazz»
When jazz musicians improvise, their brains switch off the areas responsible for self-censorship and inhibition of nerve impulses, and instead turn on the areas that open the way for self-expression.…

...

Auditory therapy of A. Tomatis (part 4)
Why Mozart? But why Mozart? Why not Bach, Beethoven, the Beatles? Mozart did not create the stunning effects that Bach's mathematical genius was capable of. His music does not stir…

...