Monthly Archives: September 2018
Tell me honestly, what do you associate the words “Italian music”with? Opera? Well, most likely, dissemble. Disco? That’s more likely. Nevertheless, a significant part of the Italian musicians can in response to frown ask: what about… industrial and noise varying degrees of ferocity? In the end, the very concept of style was formulated there, Luigi Russolo will not lie. And his compatriots still keep the brand – their national school remains one of the most powerful and ferocious in the world. Continue reading
No, to be honest, the title is a bit tricky: we will give not fifty examples, but much less, but – nevertheless. The middle ages have always attracted musicians – including those whose idea of the middle ages is quite far from reality. But, perhaps, just because of this “medieval music”, including its dark hypostasis, boasts a considerable variety of shades.
It’s funny, but the term “medieval music” is not quite accurate: most often it means either folk, that is, the performance of folk music and the composition of their songs “in the same spirit”, or something like lute music of the Renaissance. The real “medieval music” sounds completely different – it is, for example, Gregorian chants. Continue reading